Creative Team:
http://www.dcindexes.com/features/comic.php?comicid=121106
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Writer: Kyle Higgins
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Penciller: Trevor McCarthy
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Inkers: Trevor McCarthy
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Colorist: Guy Major
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Letterer: Wes Abbot
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Editor: Bobbie Chase
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Assistant Editor: Katie Kubert
Detailed Impression:
The
cover to Nightwing issue
# 4 gives us our first shot of another hero guest appearing in the
series while also foreshadowing the battle with the issue's main
villain. Nightwing and his long time on-again, off-again love
interest Batgirl, are shown embroiled in a brutal in a brutal fight
with... Nightwing?!?! Barrows's pencils are sharp as ever. But unlike
the stark difference between Nightwing and the circus folk on issue #
2's cover,
this time Reis's colors don't seem
to separate the characters
quite enough from the background city scene. I don't want to make it
sound like the colors are bad by any means, maybe just a few
too many
warm to hot tones. It makes
the characters appear to be a
little muted.
Inside,
Higgins starts things off with a wild chase scene. Batgirl is on the
hunt for a shape-shifting thief whom she refers to as Spinebender.
Right off the bat, we see that the art by Trevor McCarthy is
drastically different from what
we've had
so far on the series.
McCarthy's style is distinctly more cartoony, with a much greater
graphic illustrator flair than the more naturalistic art that has
been the norm on the book. That statement should not be misconstrued
as a condemnation or an endorsement of one style over the other. Both
styles are equally valid and have their places in the medium; it's
just an observation.
McCarthy
has some history
with our main character, dating back to the Pre-Flashpoint DC
universe. He first cut his Dick
Grayson/Nightwing teeth as
the regular penciller of the
previous ongoing series
during the police officer Grayson days. McCarthy himself has said
that he was still very raw at the time. His
run on the title was not generally well received although I must say
that I actually enjoyed
it quite a bit. Much later, Higgins and McCarthy teamed up on the
Gates of Gotham
miniseries starring Dick as Batman. Gates of Gotham
went on to become a New York Times
bestseller when it was reprinted as a trade paperback. The trade also
included the duo's
first pairing as writer
and artist in
a two-part backup featuring their original character, Nightrunner,
the Muslim French Algerian Batman of Paris (now there's a mouthful).
Interestingly, after Bruce Wayne recruited Nightrunner for Batman
Incorporated, he had Grayson train him due to their similar skill
sets.
Needless
to say, McCarthy is more than comfortable drawing the character. Dick
has
a consistent, dynamic look
throughout the issue.
McCarthy seems less
comfortable drawing Barbara, though his Batgirl is dynamite.
Unfortunately, he makes Babs look a little too much like Raya, Dick's
current romantic partner. Although the colors by Guy Major look good
and complement the art well, it's like one of the circus members says
when Babs first shows up in shadow, Dick has a type. The flatter,
more animated look of the art and colors could lead to some confusion
between the two ladies for someone just picking up the book. There's
no way they could look so similar by accident. I have to imagine that
Higgins always intended
for Barbara to show up at
some point
just to highlight their
different personalities.
Higgins
clearly defines
the relationship between Dick and Raya in
this issue. She
flat out tells him that they have a shelf life and she wants to keep
things simple between them. This contrasts sharply with the long
term, complicated nature of his relationship with Barbara.
Taken
as a single story, I really like this issue. It's got
a decent plot. The dialogue
generally reads as fairly
natural and none of it has that canned feel
I complained about in issue #
3. That doesn't change my feeling that this was a filler issue.
Bringing Babs in was a nice touch. Her inclusion does
help to tie Nightwing
back into the rest of the Batman line. The problem comes in that
besides bookending an
argument between the two of them in her own title, this story really
could have been told at any point
in the series. If the series were a video game, this issue could be a
side quest; fun but not totally necessary in any greater context.
Spinebender seems like he could be a
pretty cool villain
if he is given time to grow as a character. Unfortunately, I don't
think he will see much time in the spotlight in
the near future. He
only shows up once or twice total over
the entire rest
of the series.
Overall Impression:
I might have seemed to be down a
lot on this issue, but the truth is, I really did like it a lot. I
think that means a lot considering that much of it could be seen as
fluff material meant to pad out the arc so DC could reach that
crucial sixth issue for purpose of reprinting as a trade. I
appreciated seeing a Bat family member in the book and it makes sense
that Higgins would pick Barbara given their history together. The
Babs/Raya comparison went a little too far for my tastes but did play
well overall.
Nothing against any of the other
artists to work on the title, but this is what I think a Nightwing
book should look like. McCarthy's art is stunning. His action is
fluid and dynamic. The cartoony quality gives a little bit of
lightness that balances nicely against the dark tone of the story
Higgins is telling. The colors by Major had a few minor missteps, but
I thought they were a hit overall.
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