Creative Team:
http://www.dcindexes.com/features/comic.php?comicid=136584
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Writer: Tom DeFalco
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Penciller: Andres Guinaldo
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Inker: Mark Irwin & Raul Fernandez
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Colorist: Rod Reis
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Letterer: Carlos M. Mangual
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Editor: Brian Cunningham
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Assistant Editor: Katie Kubert
Detailed Impression:
Nightwing # 13 starts off
with a beautifully drawn cover by series regular penciller Eddy
Barrows colored by Rod Reis. The crosshairs design perfectly
illustrates the intentions of the foreground character, the assassin
Lady Shiva. Shiva makes her Gotham City return this issue in her
overly-designed, unrecognizable Kenneth Rocafort New52 costume first
seen in issue # 0. (I'm generally a fan of Rocafort's art, but many
of his New52 re-designs left me more than a little cold.) Nightwing
dropping in behind Shiva looks great. He obviously plans to make her
job a little more difficult despite the fact that we have no clear
idea what her job actually entails.
Longtime comics creator Tom DeFalco
handles the writing chores this time out, subbing in on this two
issue arc for Kyle Higgins. Meanwhile, Andres Guinaldo picks up the
pencilling duties in his best-looking fill-in work to date in the
series. Guinaldo's panel designs retain the rectangular shape that he
has used in his previous efforts. However, he mixes his layouts up
far more and the images in the boxes just look better. Rod Reis'
colors really help maintain the book's overall look, but for some
reason he doesn't stick to the established color schemes for either
Nightwing or Batgirl. Both costumes should be black with highlights,
not shades of gray.
The story corresponds in time with
Joker's return over in Snyder's Batman. Since Nightwing
can't be allowed to exist as its own entity, Dick automatically
assumes that Shiva's presence has to be connected to Joker's own.
Dick also repeatedly tries to contact Bruce to ascertain whether the
two are indeed connected, but to no avail.
DeFalco handles a cold interaction
between Nightwing and Batgirl well. The two heroes argue over Dick
following a case that doesn't directly involve Joker despite the fact
that Babs can think of nothing else. DeFalco also deals with the
Amusement Mile subplot nicely by continuing what Higgins had begun.
He pushes forward with both the rebuilding and the “will
they?/won't they?” relationship between Dick and Sonia Branch. Dick
comes up against an interesting moral conundrum when he decides that
he can't allow Lady Shiva to be murdered in a gangland ambush despite
the fact that she is a murderer most likely in town to kill an
unknown number of people. His valiant effort proves fruitless when
the person he is trying to protect from harm happens to use the
ambush and subsequent battle as a distraction while she accomplishes
the task of killing her first target.
Overall Impression:
I dug this issue. Tom DeFalco has a
pretty good grasp of all the characters' voices and motivations. His
representation of Dick's skills working undercover in disguise and
his instinctive desire to protect even a cold-blooded murderer like
Lady Shiva shows that DeFalco knows the character pretty well. He
even reminds us that Dick is a ladies' man when Sonia's assistant
tries flirting with Dick only to be shut down by her boss with the
implication that Sonia doesn't want her assistant infringing on her
territory.
DeFalco also does an excellent job
of making Shiva's presence felt throughout the issue even though she
only appears in a single panel during the actual events being
depicted and it's the very last panel of the issue. His one misstep
might have been his allusion to her age. When Penguin says that she
is rumored to be around Dick's age, he doesn't allow her much time to
build her reputation as one of the world's deadliest assassins, a rep
she already had when she first encountered Dick in his debut as
Robin.
Guinaldo's art is far more
impressive in this issue than anything else he's put forth so far in
this series. I've often thought his facial work made his characters
look kind of ugly. I saw none of that in these pages. He does a great
job illustrating emotion and the battle sequence just looks awesome.
I have previously held that Geraldo Borges did a much better job
stepping in for Eddy Barrows, but Guinaldo more than held his own
here, stepping his game up substantially.
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